The diversity of culture is not only reflected in the richness of cultural types, but also in the localization of the same culture in different regions. The Convention on the Safeguarding of the Intangible Cultural Heritage states: "Intangible cultural heritage has been passed down from generation to generation and has been continuously re-created as communities and groups adapt to their surroundings and interact with nature and history, providing these communities and groups with a sense of identity and A sense of continuity, thereby enhancing respect for cultural diversity and human creativity. "Chinese society has outstanding local characteristics, and many non-heritage projects that people talk about are born, developed, and inherited at the grassroots level, reflecting the people ’s love for beauty The longing and pursuit of life, the sound of dance, music, clothing, food, shelter, and transportation are also the manifestation of people's extraordinary wisdom and imagination, which form a diverse social group.
From a macro perspective, intangible beauty is diverse and rich; in a micro perspective, intangible beauty is colorful. With the continuous deepening of people's understanding of intangible heritage, how to better understand and study the situation of intangible heritage projects in the same cultural type in a more conscious and effective manner is worth pondering. . For example, the art of paper-cutting, Yangzhou's paper-cutting is exquisite, beautiful, agile and elegant, and the paper-cutting in northern Shaanxi is thick, simple, and sturdy, forming a sharp contrast; as in the art of drama, the Qinqiang is thick and deep, full and smooth, and the Kun opera is lingering, Rouman is farsighted. The inheritance and development of each non-heritage project reflects the attitudes and methods of people's production and lifestyle, as well as their interaction and interaction with nature. The inspection and thinking of intangible heritage is to pay tribute to the wisdom and creative ancestors.
Sociologist and anthropologist Fei Xiaotong proposed "the beauty of each other, the beauty of beauty, the beauty of the United States, the unity of the world". This explains how to deal with the relationship between different cultures, and it is equally applicable to understanding and understanding the legacy, especially when the communication is becoming increasingly convenient. The dialectical relationship between the "small beauty" of many individuals and the "big beauty" of the collective is crucial. This in turn leads people to analyze and study what is meant by "cultural diversity and human creativity", with a more open and confident attitude and effort to respect "cultural diversity and human creativity". Even in the face of some non-heritage projects that are not rich in variety, creativity is not outstanding, and the audience tends to be niche, respect and necessary protection should be given.
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(Responsible editor: Wei Jinjin)